![]() Iridient Reveal in beta form has already been getting rave reviews and combines some of the best aspects of several of my previous methods including aspects of both traditional edge contrast enhancement techniques and deconvolution. Two great new sharpening methods, Iridient Reveal and High Pass, have been added to the already highly regarded sharpening routines.Multiple new RAW processing (demosaic) algorithms for both Bayer and X-Trans sensors from super high detail to smoother, lower artifact rendering styles plus monochrome specific RAW conversions.But first, here’s a list of some of the new features from the official press release: This won’t be a complete in-depth review, but instead, I want to highlight some of the areas that I’ve found to be noteworthy. I’ve been using the various betas of version 3 for while, and there’s some things that I really like in this new release, which I’ll talk about shortly. The update has addressed most of the (few) criticisms that I’ve had of the software in the past, and it now has a lot of functionality for processing images. Version 3 is a significant upgrade over version 2 and has a lot of new features in it. I’ve covered this software numerous times on the blog, in particular in relation to it’s ability to decode Fuji X-Trans files. So having a better out-of-box solution is greatly preferred.Iridient digital has released a major upgrade to it’s Raw Processing software Iridient Developer. With this one change, the DNGs that are imported into Capture One no longer require a change to the ICC profile!Īs a proud as I am that I managed to make an ICC profile to correct the DNG colors, I am honestly the least qualified to do so. The new feature is the ability to use Iridient Standard as the default camera profile. Multiple images could be given the same sequence number and one would fail to be saved.Ī lot of good stuff, but there one item that really made a world of difference for the GFX 50S which I highlighted in bold. Fixed a multi-threading issue with the sequence number based file naming when batch processing.The results now should match up much more closely to the camera JPEGs and Lightroom as well. Fixed an issue with handling of automatic lens corrections metadata for vignetting where some lenses, particularly IS zooms, could show a notable under correction for vignetting.Fixed some Mac specific crashing issues effecting older versions of macOS including 10.7, 10.8 and 10.9.Fixed a Mac specific issue with setting the Save to Folder to a custom folder location.Updated camera calibration and profile information for models newly supported in Adobe's latest DNG Converter 9.10.1 updates (X-T20, X100F, X-A10 and GFX 50S).This prevents Lightroom's caching from becoming confused about the state of edits with the Edit In file. The modification date will be updated to the current time. When working with an Edit In intermediate file from Lightroom with the "Preserve File Date" option enabled only the creation date will now be preserved.Fujifilm proprietary star rating metadata is now automatically converted to standard XMP metadata if the RAF does not have an XMP sidecar with a newer star rating value.This causes the DNG by default to load into Lightroom with an Adobe film emulation profile matching the camera settings for the RAF. There is a new option to translate the Fujifilm film style metadata into a Lightroom camera profile setting.This will prevent Lightroom from automatically writing metadata edits back to the DNG and will force use of sidecars for metadata storage. There is now an option to make the exported DNG file read only (or "locked").Iridient Standard should be a closer match to Iridient Developer, however due to inherent differences in the camera profile formats (ICC versus Adobe DCP) the default color rendering will still not be identical. A new option has been added to set the default DNG camera profile to either Iridient Standard or Adobe Standard.A new Lightroom scripting plug-in is now available for sending images to Iridient X-Transformer for conversion which avoids some of the limitations and disadvantages of using Lightroom's external editing functionality (or "Edit In").The complete release notes for X-Transformer is here, but I listed out the version 1.0 beta 4 changes below: Since then Iridient has updated X-Transformer to 1.0 beta 4, so I gave it another spin. In my previous post ( here) where I shared my search for an effective workflow for using the GFX with Capture One, I briefly touched on the usage of Iridient X-Transformer. Revisiting Iridient X-Transformer and the Fujifilm GFX 50SĪs a Capture One user, I am disappointed that it does not support the Fujifilm GFX 50S raw files.
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